There are a couple of things about current shipping culture that confuse me.
1. The focus on whether or not a pairing will become canon as a reason people should ship something or not. Do you not understand what the “transformative” part of “transformative works” means?”
2. This idea that saying “I ship that” means “I think that, as presented in canon,this is a perfect, healthy relationship that everyone should model their relationship after.”
Sometimes shipping something does mean that. Sometimes shipping something means “Person A is a trash bag who doesn’t deserve person B but I would love to explore how Person A might grow to deserve Person B.” Sometimes it means “I want these characters to live together forever in a conflict free domestic AU.” Sometimes it means “I want Person A to forever pine after Person B. Nothing is beautiful and everything hurts.” And sometimes it just means you like their faces and want to see Person A and Person B bone in various configurations and universes.
Listen to your parents, kids.
This really should be one of a handful of Public Service Announcements randomly and chronically inserted into one’s dash.
Hell man sometimes it means “these two are TERRIBLE and I want to watch them burn like a catastrophic forest fire as a proxy for all the shit I don’t actually want in real life (like to light my own apartment on fire and scream) and then laugh at the destruction at the end.”
It just kills me when writers create franchises where like 95% of the speaking roles are male, then get morally offended that all of the popular ships are gay. It’s like, what did they expect?
I feel this is something that does often get overlooked in slash shipping, especially in articles that try to ‘explain’ the phenomena. No matter the show, movie or book, people are going to ship. When everyone is a dude and the well written relationships are all dudes, of course we’re gonna go for romance among the dudes because we have no other options.
Totally.
A lot of analyses propose that the overwhelming predominance of male/male ships over female/female and female/male ships in fandom reflects an unhealthy fetishisation of male homosexuality and a deep-seated self-hatred on the part of women in fandom. While it’s true that many fandoms certainly have issues gender-wise, that sort of analysis willfully overlooks a rather more obvious culprit.
Suppose, for the sake of argument, that we have a hypothetical media franchise with twelve recurring speaking roles, nine of which are male and three of which are female.
(Note that this is actually a bit better than average representaton-wise – female representation in popular media franchises is typicaly well below the 25% contemplated here.)
Assuming that any character can be shipped with any other without regard for age, gender, social position or prior relationship – and for simplicity excluding cloning, time travel and other “selfcest”-enabling scenarios – this yields the following (non-polyamorous) possibilities:
Possible F/F ships: 3 Possible F/M ships: 27 Possible M/M ships: 36
TOTAL POSSIBLE SHIPS: 66
Thus, assuming – again, for the sake of simplicity – that every possible ship is about equally likely to appeal to any given fan, we’d reasonably expect about (36/66) = 55% of all shipping-related media to feature M/M pairings. No particular prejudice in favour of male characters and/or against female characters is necessary for us to get there.
The point is this: before we can conclude that representation in shipping is being skewed by fan prejudice, we have to ask how skewed it would be even in the absence of any particular prejudice on the part of the fans. Or, to put it another way, we have to ask ourselves: are we criticising women in fandom – and let’s be honest here, this type of criticism is almost exclusively directed at women – for creating a representation problem, or are we merely criticising them for failing to correct an existing one?
Supercarrier: fandom flagship. Everybody and their dog ships it. The fandom is glutted with artwork and fic. You cannot escape this ship.
Dreadnought: massively popular. Nearly everybody ships it. You can, with dedication, in theory, reach the end of the AO3 archive for the ship’s tag, but it’ll take a long time.
Cruiser: pretty popular ship. Not everyone ships it, but everyone knows about it. Has a good amount of fic/art, and probably multiple ask blogs.
Frigate: just plain popular. Feels like it could use more fanworks. New people to the fandom might not know about it, but they’ll stumble across it sooner rather than later.
Gunboat: bit of a rarepair. It might have an ask blog or two. A couple big name fans ship it. Probably only takes a few weeks to get through the entire AO3 backlog, and one new fic gets added during that time.
Tugboat: rarepair. Almost never seen except as a side pairing to a more popular ship. You can usually get through everything on AO3 in a matter of days. You’ve forgotten what it is to be picky about what you read.
Rowboat: less than a dozen people ship it. You all know each other. You exist in an endless cycle of the same five people desperately producing art and fic and one person who constantly contributes headcanons.
Canoe: you are one of maybe three people who ship it, and there’s a not-insignificant chance you’ve never encountered those other two hypothetical shippers. You spend your days paddling furiously in hopes of keeping the ship afloat, dreaming of the day you upgrade to a rowboat so you can finally rest.
Submarine: Quite a few people ship it, but nobody wants to admit to shipping it. Will randomly appear and throw the other ships into confusion.
Pontoon: that random crossover ship with that one black dress character/trope/fandom everyone will ship with everything else. Has the potential to turn into a massive party until someone gets sick and everyone goes home.
Pedalo: That iconic bizarre crackship whose proponents claim they’re only into it ironically, but secretly they’re all dead serious.
omg YES
OK but what do you call that one crossover crackship that’s dreadnought size and is always accompanied by a fleet of smaller crossover crackships?
You can ship characters for happily ever afters, sure, you can ship them for tragically-then-happily, you can ship two or three or four or more, you can ship endless combinations of personality types and relationship dynamics
but you can also ship characters under very specific circumstances, or for a certain period of their life but not for all of it, or only in a certain universe. You might say “I ship these characters” and what you mean is you think they are fascinating together and could have a story together. That story could be any kind of story.
Sometimes it means you want them together for the rest of their lives. Sometimes it means something different than that.
I don’t know about you, but for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
Shipping is an intensely personal thing. Never let anyone make you feel bad for shipping what you ship.
Maybe it’s just for fun, maybe it’s helping you connect to something during a hard time in your life, maybe it’s somehow helping you come to grips with the world.
You can ship characters for happily ever afters, sure, you can ship them for tragically-then-happily, you can ship two or three or four or more, you can ship endless combinations of personality types and relationship dynamics
but you can also ship characters under very specific circumstances, or for a certain period of their life but not for all of it, or only in a certain universe. You might say “I ship these characters” and what you mean is you think they are fascinating together and could have a story together. That story could be any kind of story.
Sometimes it means you want them together for the rest of their lives. Sometimes it means something different than that.
I don’t know about you, but for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
You can ship characters for happily ever afters, sure, you can ship them for tragically-then-happily, you can ship two or three or four or more, you can ship endless combinations of personality types and relationship dynamics
but you can also ship characters under very specific circumstances, or for a certain period of their life but not for all of it, or only in a certain universe. You might say “I ship these characters” and what you mean is you think they are fascinating together and could have a story together. That story could be any kind of story.
Sometimes it means you want them together for the rest of their lives. Sometimes it means something different than that.
I don’t know about you, but for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
You can ship characters for happily ever afters, sure, you can ship them for tragically-then-happily, you can ship two or three or four or more, you can ship endless combinations of personality types and relationship dynamics
but you can also ship characters under very specific circumstances, or for a certain period of their life but not for all of it, or only in a certain universe. You might say “I ship these characters” and what you mean is you think they are fascinating together and could have a story together. That story could be any kind of story.
Sometimes it means you want them together for the rest of their lives. Sometimes it means something different than that.
I don’t know about you, but for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
for me, “I ship it” means “There is a story in this ship and I am interested in that story.”
shealwaysreads 